Reading is a kind of
unifying idea in the Arcades Project. One reads the book, one reads the
material, as much as Benjamin wrote it out or copied it down through writing. One comes back to again and again with each passage that one is
reading, that that's one's activity, and one is constructing a consciousness in
this act, in this immaterially determined approach, one that requires a kind of
work precisely within the idleness required to actually read. And the constant parallel of
reading through the passages with walking through the passages of the arcades,
with the activity of the flaneur, with a movement that works dialectically with
the uncovering of static realities as in Y1,4, a non-reading, non-linguistic
experience of the image, of the material itself and the machine that of course
never reads. We are constantly asking, are we those machines that never read,
that read "only" informationally? And reading is at stake throughout
by virtue of the simple fact that Benjmain is reading the texts he cites,
bringing forth as pure information, as informationally as he can as an
exclusive extension of the now of recognizability, by virtue of their
effectiveness as dialectical images that contain an abyss.
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